In the novel "The God of Small Things" by Arundhati Roy, a study of the concept of "temporal hybridity"

Abstract

An inquiry of the expressiveness phenomena that occur in literary translation is going to be the focus of this article. When it comes to the translation from English to Russian, the purpose of this research is to identify the expressive ways that are used in A. Roy's book The God of Small Things as well as the thanatological qualities that are associated with those approaches. According to the results of the study, axiological, emotional, and cultural connotations show visuals that seem to be widespread across the cultures of Indian and Russian civilizations. It is possible for translators to convey expressive approaches in the TT and get the kind of pragmatic effect they seek via this procedure. It is also feasible to diminish cultural and axiological components due to the fact that some linguistic signals have different cultural connotations and are suggested to trigger particular emotional reactions from those who are acquainted with or aware about the culture of the source language. There is a possibility that seme reduction is predisposed to occur due to differences in the formal systems of the source language and the destination language. For the purpose of this study, the key research methods that were used were content analysis as well as comparative analyses of the source and target texts.